“Downfall” of Post
July 3rd, 2008Hitler goes bananas after hearing that the film came back from the lab with a scratch on the neg that will have to be fixed in post. Classic.
Thanks to Aaron Z. for the link
Hitler goes bananas after hearing that the film came back from the lab with a scratch on the neg that will have to be fixed in post. Classic.
Thanks to Aaron Z. for the link

What is “Nuking The Fridge”, you ask? Well, according to Urban Dictionary it’s…
A colloquialism used to delineate the precise moment at which a cinematic franchise has crossed over from remote plausibility to self parodying absurdity, usually indicating a low point in the series from which it is unlikely to recover.
Guy 1: “Wow. Did you see the new Indy movie? What the hell was that? It was like I was having some kind of flu induced absurdist nightmare.”
Guy 2: “Yep… did or did not that series permanently Nuke the Fridge?”
“Nuke The Fridge” has official replaced “Jump The Shark” as the term du jour on many Blogs and websites as well as IN the vernaculars of many VFX professionals. Does it trouble anyone else out there that a phrase previously used to conjure nostalgic memories of 70’s era schmaltz and lameness (c’mon Fonz, who wears a leather jacket while they are water skiing?) is now linked to an overwrought effects sequence? I’ve been bemoaning the fact that the modern VFX world is a lot more coulda’ and not enough shoulda’ on this blog for almost a year now and there are signs that things are coming to a head. Are Indy’s CG gophers and the technicolor dragon vomit that made up Speed Racer eliciting a collective cry of “Enough with the CGI already!” from the general public?
A case that a shift in popular opinion might be made based on the recent spat of blog posts and movie reviews based on the subject of a public grown desensitized and weary of movie magic. Scott Nye postED this tidbit on chud.com not to long ago.
But much as I support CGI, I do acknowledge it’s also an overused, lazy way to create what could have been an amazing sequence if done practically
And it’s not just the Matrix Generation thats bent out of shape about the state of visual effects. Johanna Schneller, movie critic at globeandmail.com observes…
I realize that CGI is a thrilling toy, a technology that seems to advance by the minute, that gets more fun the more you play with it. And I realize that in Hollywood, it’s become a tautology: Blockbusters have CGI, so if you want your film to be a bigger blockbuster, it must have ever-more-massive chunks of CGI. But I’m not sure that filmmakers realize what a yawn it is to sit through
This simmering animosity towards VFX has also jumped from film critics and nerds to the video game community. In a post on PTD magazine, William Stapleton asks these tough questions after taking his son to see the new Hulk flick.
what happens when the ‘gee-whiz’ wears off? My grandchildren will take CGI technology for granted, because they’ll grow up in a time when it’s the norm, instead of something that’s new and exciting. I’ll admit, I’ve gone to a few films where the only redeeming quality was the power of its special effects. But what will happen when special effects aren’t ’special’ anymore?
I realize that three fairly obscure blog posts do mot a backlash make, but I have to ask. Is this the begging of the end?. Visual Effects films, like any other cinematic style, have always been subject to cycles of popularity. The cold war fueled sci-fi boom of the 50’s eventually trailed off and didn’t pick back up again until the 70’s. It could be argued that we are on the downside of peak in interest in science fiction (the key driver of the VFX film) that was spurred on by the rise of the Internet. On top of that, we are quickly coming to a point where we are simply going to run out of comic books and sci-fi classics to “re-invent”. What’s next Power Pack:The Movie? Last Starfighter 2: Electric Boogaloo??
We all need to face up to the fact that the current trend of CGI blockbusters may come to an end some day. Heck even the sun will run out of fuel and burn itself out at some point. To survive VFX has to move past the gimmick phase and become a truly integral tool in production. Some films already do a great job of this (Children of Men comes to mind) while most use the technology as a crutch to prop up aging action heros or a way to create asinine comic relief for bad screenplays. Don’t get me wrong the computer artistry that goes into a lot of these films is astounding. Too bad it’s often wasted on a disappointing, or worse yet forgettable, piece of entertainment. Let’s hope that the entire VFX industry hasn’t collectively jumped the shark, I mean, nuked the fridge.
Thanks to VFXPlanet for the links to the stories used in this post
The Animation Guild Local 839 has published a survey of salaries in the animation industry and I’ve broken out some of the data that pertains to VFX folks. The numbers in the survey are median weekly rates based on union jobs but the numbers are still interesting.

In other words modelers are at the low end of the scale bringing in about $82k per year and supes are hovering close to $130k per year down about 20% from ‘07. The string of blockbuster VFX flicks seems to be keeping demand for artists high enough to meet supply. Just remember this is a boom and bust biz folks so fill up those 401ks while ya can.
LINK to the full survey
Rubber suited, trashcan lookin’ CG robot action!
(via Twitch)
Star Wars kid eat your heart out. Videogum has put up a list of the top 10 lightsaber mashups on the YouTubes. My fav is above (comin’ in at #2) but there are some other gems on the list as well.
LINK to the full Top 10 (via Boing Boing)

I’ve been working opn a show that requires tons of futuristic housing so I’ve scouring the inter-webs for reference over the last few weeks. I came across this photo gallery of the San-Zhr Pod Village, a futuristic collection of abandoned building in Taiwan. The coolest thing is that they are also supposedly haunted.
LINKto the gallery at File Magazine (via io9)

These nuggets of godly wisdom from the book of Exodus have inspired many imitations from The Ten Commandments of the Mafia to The Ten Commandments of Couch Crashing here’s my entry into the fray
The Ten Commandments of Visual Effects
Thou shalt not covet thy cubicle buddy’s action figures.
Thou shalt not put thy greasy goddam fingers all over my monitor.
Thou shalt always use headphones.
Thou shalt not ship until first thou hast blurred and glowed.
Thou shalt not get overly excited about the latest Hollywood blockbuster based on a comic book or 80’s toy.
Thou shalt always pad thy hours.
Thou shalt not torture thy interns (they could be your boss some day).
Thou shalt not become too bitter too quickly.
Thou shalt not wear free t-shirts from Siggraph on the Sabbath.
If thou cannot do… thou shalt blog.

There is a thread of VFX themed “Yo Mamma” jokes rolling on VFXTALK right now. Here are some choice tid-bits.
Yo momma so fat, they had to roll her out onto a football field and film her from a blimp, just to get a good key!
Yo Mamma so fat, we had to throw away our 32 bit systems because of insufficient lightwrap!
Yo momma so fat, She crushed all my blacks
And my personal fav
Man, Yo Mamma so fat, we was talkin about node noodles and she grabbed a bowl.
I’ve thrown my own creation into the fray
Yo Mamma so fat she broke my clipping plane!
LINK to the full thread
I find it interesting that the VFX for this spot look as if they were done on a VIC-20. Check out the big man in all his tan on tan glory. This was a smokin’ hot machine for it’s day (a whole 5kb of RAM) and for just $299.95. Gotta love that they use GORF as one of the demos. Here’s the print add from the same campaign.

via io9

Just started this comic over at Strip Generator. Loads of fun, more to come.
LINK to the full Wireframez strip blog